I never felt that I had to do something special in video games, so my goal was to know how to play and make friends doing it. I guess you could say I felt threatened when people prodded at me because of my gender. I've learned to play some of them and stay out of others, but "nobody cares if Julius Sneezer beats on tons of girls, that's nothing to brag about." Just to quote some insight from John Dangerous. I suppose there's a shock value when my opponents realize who I am; it doesn't prove very much in reality, but it tells you a lot about the type of people who are paying attention.
- - - - - - - - - -
How I feel in my own Arcade / I just came to Play:
Do I intimidate you? Do I strike fear in your heart?
we don't see eye to eye but you're afraid
I'm better than you. with a mentality like that,
it's bound to be true. I am not afraid to die,
What have I got to lose? What do you choose?
You can fight and win easily but there will be
a line of challengers once you defeat me.
- Mood:
blah - Music:SEGA / westone bit entertainment / SUNSOFT - DIS-ADVANTAGE SIDE BGM
During the Winter intersession, the returning editors gave me the honor of preparing illustrations for the 2012 print. I was willing to recruit art students for this project, but I didn't expect the editors to select me right off the bat. Professor McCabe insisted that I take care of the artwork because I was familiar with the submissions that would go into the final print. This project was a first for me: first time as an editor as well as an official illustrator. I'm not used to having my work on display, let alone be published, so this created positive and negative anxiety for me. Skeptical about my abilities, the group encouraged me to take my skills to the drawing board.
I prepared different representations of images I saw within the writing, but what the group enjoyed the most were my abstractions. One of our editors, Gaby Alexander was so thrilled that we collaborated on her short story within Inscape, "Blueberry Pancakes". I enjoyed working with the editors because they were very direct about what they liked and disliked. We discussed that having non-objective illustrations allow the reader to look at the stories more deeply and intimately than trying to depict specific characters. I think the art is bold and surreal at the same time. I feel that our visuals reflect the stories without revealing too much and spark curiosity within the reader.
Sharing my artwork with the editorial was one of the most challenging tasks for me because I am my worst critic. I refused to share any drawings with the group that I wasn't confident with. After numerous drafts, I reached my goal of preparing 3-4 drawings every week and I have an entire portfolio to show for it. When we gathered, I would have the group look through each illustration and let them decide which they liked most for the final print. Over the course of 4 months I produced 40 illustrations total and our group selected 12 of the best to be finalized. I wouldn't share anything unless I was confident in the quality so with that said, I hope others enjoy reading and looking at what we've put into Inscape 2012.
- - - - - - - - - -
The Inscape editor in chief, Professor McCabe asked the remaining students in our editorial if we would be willing to share and present something for the Borders of Diversity panel at PCC. My schedule cleared up when my illustrative work with the editorial finished, so I wrote this short essay about producing the artwork for our magazine. I hope it's not too boring to read; maybe it will be more interesting when I attend the panel and they have some of my artwork on display. I wish I could tell you how great a deal this is to me, to be an illustrator and writer featured within a publication. Maybe this could be the start of something very big, I just have to keep working on it.
"You may be wondering: What is Borders of Diversity? It's an all day program with PCC student panels presenting their scholarly and creative work to an audience in PCC's Creveling Lounge.
Borders of Diversity takes place on Thursday, May 10. A creative writing panel will present from 7:00 PM--8:30 PM (this time, however, is subject to change, though it is expected to be set at this time or earlier.)" // I look forward to this!
- Mood:
honored - Music:Sebastien Tellier - Draw Your World
tucked them into my pockets.
Would you like to read?
Recite one for me-
communicate through poems;
I'll send one back too.
Pocket your poem,
save it, share it, re-use it.
The message is yours.
Like fortune cookie
passages sum everything
into one sentence.
Used like calling cards,
something small from me to you;
modest, not profound.
- - - - - - - - - -
To honor Poem in Your Pocket day, I wrote haikus on index cards (separate of these I just wrote). Each has a unique title and information to my blog. I handed them out to people who participated in today's Lotus Club event (PCC Poetry club) . I think of them as poetry calling cards :)
- Mood:
content - Music:Phaeleh - Think About It
so why won't he come forward?
Not the confrontational type and
he'll never show it, his true colors.
He keeps lying; words won't get him far.
Don't trust his eyes, trust your instincts
Just call people like him a chameleon
Because you'll never know the real him.
I wonder what you think of them,
curious how you respond to being
center of attention. With all eyes on
You; they watch every move, criticize
and pride on your imperfections.
Divert them from faulty complexion
Can't convince them you're not
chameleon covering bad blood.
What difference would it make if
you knew who was behind the mask?
Let alone somebody familiar, maybe
they wouldn't be "just another shmuck"
Did you think I was hiding from you?
Maybe it's you who needs to hide
from Me. I went back into the light,
does it make you think differently?
- - - - - - - - - - - - - - - - - - - -
I haven't recorded freewrites for awhile due to my illustrative work with the upcoming PCC Inscape magazine. These lines were inspired after someone bumped into me on the train ride back home. I wonder if that person felt stupid when he realized it was me behind that seat. I'll call you a chameleon before I start relating to anything else...
- Mood:
cranky - Music:Tekken 4 - The Strongest Iron Arena
Kariz told me how she felt about the last time she visited during our brothers birthday weekend (introverted relapse). She was sad that we didn't hang out and didn't discuss it back then because she didn't know how to approach me. I wasn't in a good place mentally, so I disconnected from family the whole weekend. I told her that the dinner conversation made me uncomfortable and I didn't want to sit through it anymore. She asked me to be more honest and to come forward about my feelings, especially when someone says something that offends me; "sometimes we need to hear that from you, otherwise it's hard for us to know what you're thinking."
Kariz asked how we can improve our on-going "conversation" with one another. She told me to think of ways to engage the family more whenever we're together. I thought, do I want to open up to them? They are made of the same flesh and blood but with so much of my time spent silent, do I want to start talking now? I've grown accustom to listening than speaking, it's difficult to find the words I want to say. So Kariz responded, "I realize that our family has loud personalities and I assumed that you would jump into the conversation." I explained that I don't dominate group conversations because I'm afraid of offending others. I keep everything to myself because I think no one is interested in what I have to say. Kariz didn't deny my feelings but sounded upset that this is my logic.
Kariz: Out of curiosity, are you Happy?
Paris: Realistically No -- Why, do I have to be?
Kariz: I want you to be able to have what you want.
Paris: Okay, but you don't always get what you want.
Kariz:Will it make you feel better if I tell you that I'm stressed but I still manage to be happy?
Paris: Yes, but I don't know which would be greater to handle, if happiness is what I want.
Kariz: Well maybe you can have both. I will ask you this question again in the future.
Kariz wants to get to know me and learn more about who I am, but when she asks questions, I have no idea what to say. She wants us to have conversations and be part of the family. However, I am so detached from it that when I see what it is I want nothing to do with it. She wants to help change that, but I doubt it will be an easy path. I have trouble speaking in front of my family of all things, but Kariz wants me to be comfortable and most of all happy with myself. It's going to take a lot for me to be remotely content with them, so we'll see where it goes from here.
"I can't escape it's surrounding me / I'm caught in a storm / That I don't need no shelter from" SWV - Rain
We talked during my commute back home, and when I was contemplating the things she said, I wrote this to the rain.
- Mood:
sad - Music:SWV - Rain
I ignore him as much as possible because I don't like sitting through meaningless small talk. He has strong opinions about the world, therefore you should have faith in his beliefs. I don't ever want to be in the presence of that person, especially during family gatherings. I don't need to hear the ramblings about how his prime has past. I don't know why he brags about "what happened back then" because it isn't impressive. It reminds me when our father tells us situations from his past. Well guess what: We don't live in that time or place anymore, so you can't make excuses for that. Why don't you tell them what you do now and why they should care? Or is that no good?
"Don't involve me in your bullshit" - those exact words were all I needed to make my vow of silence. That sentence became my reason to stay away from you. I hope you're satisfied with your actions because I will never forget. Why should I care about someone who doesn't want me to speak their name? We live in the same house, but there are barriers that prevent you from getting any closer now. I keep these walls up constantly because I never want to get "involved" with you again, the ultimate rejection. You may be their son and have a place in their home, but you are no brother to me, nor have a place in my heart. It is a cold and unfortunate reality, but I have no business with a deadbeat.
"When people around you become dead weight, get rid of them or you’ll die with them." -Kat Magill, Poet.
I know what she means, but that's a damn shame because it feels like I'm gonna take my memories to the grave.
I wrote this one week before the new year 2012 kicked in, After some months and revision the words finally surfaced.
- Mood:
dead - Music:SF x TK - Pandora's Box - Divination
Has there ever been a moment in your life when you went back into "bad habits"? Everyone has at least one trait that they don't like about themselves (maybe something that others dislike) and the goal is to change that aspect or attitude and improve for the future. In my case, I was extremely antisocial as an adolescent, especially toward the family. I always thought that since no one talked to me, no one cared about what I did; I felt detached and grew irritable when anyone would approach me. I sealed myself away from others to be alone, but that proved to be failure as well. I loathe the stereotypical, Filipino family-standard whenever individuals are compared to others whether they are blood relatives or not. There is an undying sense of pride that I am yet to understand, but I suck it up because I always assumed that this is how it's supposed to be. I'm convinced that this is how our family functions and I have to deal with it because I was born into this culture. In order to be appreciated, you have be sociable and likable, otherwise you're left alone in the dark. I rarely find myself admirable so I have nothing to contribute to family conversations; it's gotten to the point where I've stopped talking all together. I feel strange when someone pauses and lets me speak, because I never think I'm going to get an opening. I don't want to show off to be admired, I'd rather be recognized for what I do - even if it's mundane, instead of having to put myself in the spotlight. Just when I thought I had matured from those experiences, an old shadow resurfaces and takes over from time to time. So am I really over it? There's a good chance there are small pieces leftover inside.
I didn't notice at first, but when I realized what was happening I felt anger and disappointment swell inside. It becomes extremely difficult for me to be productive when emotions numb the rest of my senses. I combat the raging emotions with apathy and this causes me to shut down mentally. My appetite diminishes more quickly than usual, I lose motivation and interest in all things. I slowly turn into stone: immobile, stoic and stubborn as a rock. For me to revert into this form became an emotionally crippling flashback. I thought about why I abhor family gatherings so much and how I never felt appreciated for being myself. Spending "quality time" is always the most difficult task because I have nothing to be proud of, so what good am I to them? Why should I force myself into conversations if I can't contribute anything positive? - "I don't relate to people I'm related to", and "If you don't have anything nice to say, don't say anything at all." - This is my logic whenever I get into those situations. My parents and sister ask why I don't spend more time with the family but I never give a straight answer. Do I lie to everyone and say I don't have the energy to put up with it? Or should I get straight to the point and tell them I think the things they talk about are incredibly offensive to me?
Last night we had dinner together: mom, grandma, sister, her daughter and our brother. It reminded me when we lived in Atwater Village except the two people that I talk to the most at a shared meal were absent, Dad and Michael. They discussed how our niece is Half-Asian, identifying mixed ethnicities by looking for certain traits. Then our brother talked about one of his girlfriends and Kariz says, "You dated a non-Asian for the first time ever? Congratulations!" she said it in a jokingly manner but thinking about the reality behind it aggravated me, because he is a racist asshole and that statement made it very clear. I finished washing my dishes and started making my way out of the kitchen, but my sister spoke up again, "you're not going to stay here and talk to us Paris?" In the back of my mind I thought: No one has said anything to me except you, Kariz. I'm not about to start conversation with a deadman and your daughter because I have nothing good to say about "culture", let alone their lifestyles. So instead of making it awkward for everyone I said, "No. I'm exhausted from work and I would rather lie down." Which is my polite way of saying I am not in the mood to hear this. I kept my mouth shut and crept upstairs to my room where I collapsed. I fell onto the bed without caring about posture or comfort, I dropped face down into the sheets and caved in. I tried to hold back but my quivering turned into tears. Nobody gave a SHIT about what happened to me that day, no one wanted to talk about what I did, nobody even asked me how my day went. Does anyone care that I'm belittled on a daily at work? That doesn't matter because the "family" belittled me at the dinner table. How dare you ask me to stay and chat. I didn't bother telling my them about how I Really felt because let's be realistic, who gives a fuck?
I spilled the beans on my best friend, mentor and only comfort at the time. So Kai responded, "you're going to experience shitty days all through the year and they'll add up to about a month worth of pain." As much as I didn't want to hear that, I knew he was right. I believe Kai when it comes to disappointment because he's lived through much more and spent lots of time to analyze, meditate and reflect on it. The feeling of rejection and ignorance are primary reasons I get uncomfortable when sharing my thoughts with others. That anxiety piles up and gets locked away inside a safe, but I cannot seem throw away the key. Sometimes all it takes is a memory to crack open that box again. Our family dinner from yesterday was remnant of my experiences in Atwater. I thought about the stubborn child I was and I hated being reminded of it. I cannot stand the thought of being my younger self, an immature introvert, but I've come a long way from having temper tantrums. I used to be so expressive with my anger that it scared people; as a child I would scream and slam my bedroom door until my arms were numb and my voice went hoarse. I was strong enough to put cracks in those doors, but I was told to stop because it was wrong and didn't resolve anything. When I stopped throwing tantrums, I started writing letters to the people, especially family members that hurt my feelings. I stopped giving out those "letters" when someone literally ripped the paper to shreds, so there's no question why I keep all of this bullshit to myself ...
"But inside, you're just a little baby
It's okay to say you've got a weak spot
You don't always have to be on top
Better to be hated than love, love, loved for what you're not."
- Marina & the Diamonds, I am not a Robot.
Posted via LiveJournal app for iPhone.
- Mood:
recovering - Music:Marina & the Diamonds - I am not a Robot (Penguin Prison Remix)
Only in the Wanderlust would you
Wonder why such creatures do exist.
Manifested, entrusted, beloved animals
born in the depths of one man’s soul-
highly neurotic, erotic, exotic, exquisite
creations beyond measurable means
driven by both pain and pleasure,
freaks of this nature roam free
in the jungle of his wildest dreams.
Immaculate emasculate beings evolved
within the scenes; vivid visions become
surreal fantasy realized through painting
— for Alexander Ghastbrow. (friend and creative collaborator)
Posted via LiveJournal app for iPhone.
- Mood:tired
I remember it being dark; imagine seeking shelter during a storm. I was welcomed in by two young men wearing cloaks, my first impression was that they were in a cult. I looked at the walls and floors, warped wooden panels and furniture draped in animal hides. Then I thought they were hunters instead, or perhaps skilled craftsmen. One looked like someone I know, but he did not recognize me; the other was short and stout, hunched over like a mole. The familiar one seemed affectionate whenever I needed something like food or blankets to keep warm.
The door creaked open heavy and slowly revealing a field of gray mist, a mysterious fog covered the path outside. I shrieked at the sight of it as the short one yelled, "Keep that sealed damnit! Don't let any of the air get in!" He told me I had to wash the sweat from my body as demons outside could smell fear in my pores. Giant footsteps echoed against the walls and came closer to the cottage.
The familiar one stood by my side as I undressed for the bath. There were many layers to undo; blouse, tunic and tights, chain-mail and lastly a cloth wrapped around my torso to protect my breasts. The familiar one looked at my body and said to himself, "I know why I need to protect her." the short one prompted me to wash-up as he rearranged their space. The familiar one waited for me to finish the shower and held a hand to me when it was time to come out.
The short one announced, "Here comes the Ogre! Get dressed before he finds her!" The familiar one took me from the tub and grabbed my clothes in a bundle. I slid underneath a long narrow table against the wall and squeezed into a slot between the floor panels. Imagine lying inside a coffin with a glass top surface. The familiar one saw me struggling to move and lied face down against the glass table. "Don't move, don't even breathe." he whispered.
I heard the ogre stomp inside and the short one helped him around. He kept the giant occupied while I played-dead underground. The familiar one closed his eyes as sweat dropped from his forehead. No squeak, no sound, not even a breath came out of my mouth, but I couldn't help but feel trapped, cornered in the makeshift coffin. I overheard the short one and the ogre bickering, "I assure you, there is no feast here today." He led the ogre out the back and returned only to find the familiar one shielding the glass top with his own cloak. I was safe now, but wedged a few feet under the table.
(From Friday 2012/03/09, more recent and unusual of my memorable dreams)
Posted via LiveJournal app for iPhone.
- Mood:
groggy - Music:Lifelike - the cult
I dreamt I was petting an animal, I want to say it was a cat because the coat was plush to touch. The cat purred, warm and relaxed whenever I stroked her back. The whiskers tickled my wrist as she stared at my hands; I stopped petting her to look at her face, gold eyes glowing with great intent. I don't know what compelled the cat, but she bit into my fingers. It got to the point where she gnawed the skin off my knuckles. I felt spear-shaped teeth tearing into flesh and bone, I caved in and pleaded her to stop. She lept off my lap and revealed raw, bloody knuckles. The blood stained her white coat and left a trail of red paw prints behind her. I turned to my hands again, the flesh decaying after exposure to air. Rotting muscles hanging off bones and the red turning darker as I looked into the wounds. It didn't dry up, it continued to ooze down to the fingertips. Why did I trust the cat, I knew it would bite me, but I didn't know how hard. Maybe it was a lion cub looking for finger food.
(From Monday 2012/03/05 - I didn't make time to write about and post it here until now.)
Posted via LiveJournal app for iPhone.
- Mood:
sore - Music:Isley Brothers - Between the Sheets (tesla boy edit)